So, as a result, ILM had the lion’s share of the work and we had about 130 other shots to do. When we spoke to Michael Bay early on he thought we could tackle some of the new content, because it didn’t necessarily make sense to re-invent the wheel on stuff ILM had already created. Ian Failes speaks to Digital Domain’s Visual effects supervisor Matthew Butler and CG Supervisor Paul George Palop about their work.įxg: What were Digital Domain’s key shots?īutler: The work was predominantly split between ILM and Digital Domain. Mike and Jeff discuss in depth some of detailed work ILM did to produce some of the most technically complex shots we have seen this year, – truly magnificent work. In this week’s fxpodcast Mike Seymour speaks to ILM’s Digital Production Supervisor Jeff White. In our online article, Ian Failes speaks to Digital Domain’s Visual Effects Supervisor Matthew Butler and CG Supervisor Paul George Palop about their work.
Mike Seymour speaks to ILM’s Digital Production Supervisor Jeff White in this week’s fxpodcast.
For Transformers: Revenge of the Fallen, director Michael Bay enlisted ILM and Digital Domain to create several new characters and blockbuster action for the sequel to his monster 2007 hit.
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